Kostis Fokas, born in Athens, Greece, is a conceptual photographer whose artistic practice revolves around the exploration of the human body as a site of social and political enquiry. By drawing on discourses around the construction of the self, body, queer, and posthumanist theories, the performative structures of his work look into the relationship between identity and physicality whilst approaching a sculptural language to forge a new visual vocabulary.
Unlike sentimental depictions or explicit narratives where sexuality and desire have been co-opted to fit in the broad swath of social and public life, Fokas' approach to the body is rather detached. Like a Cartesian mechanical eye, Fokas observes from the position of the spectator, scrutinizing himself and his subjects with a tantalizing pleasure. Bodies and fragmentary body parts set in bizarre and vulnerable positions are juxtaposed with wild landscapes and the striking beauty of the Greek summer.
Fokas boldly strips his model-friends down in front of the lens; yet, their poses are far from sexualized. A physical and spatial tension unfolds, as playful and surreal corporeal formations engage in a choreographic interplay of attraction, seduction, detachment, and resistance. Flirting with autonomy and vulnerability, his subjects are often witnessed as being in distress. Their desire to seduce and to connect is nothing but profound. Undoubtedly, in Fokas' visual topography the human body fights, rebels and resists, infinitely.